A documentary that grew in week two.

You Can See Everything, Nathan Fielder's first feature as a director, made with Lance Oppenheim, took $19.5 million at the U.S. box office over the Oct. 23-25 weekend, its second in theaters. Wikipedia's box-office record says that broke the documentary record for a second weekend, the $16.3 million set by Fahrenheit 9/11.

It grew from its opening. A24 released the film in the U.S. and Canada on Oct. 16, in 855 theaters, and it opened with $15.6 million, the largest debut for a documentary feature since Fahrenheit 9/11 in June 2004. By this issue's arithmetic, the second weekend was about 25% bigger than the first.

The subject is Elizabeth Holmes, the founder of Theranos, and her partner Billy Evans, who invited a film crew to document them in the weeks before she began a federal prison sentence for defrauding investors. The film premiered as a secret screening at the Telluride Film Festival on Sept. 6.

Critics' aggregates are strong. The film's Wikipedia article lists a 98% approval rating on Rotten Tomatoes from 172 reviews and a Metacritic score of 97 from 40 critics. This issue has not seen the film.

A second weekend bigger than the first can come from word of mouth, from more theaters, or both, and the record checked here doesn't separate them. It gives the 855-theater opening count but not the second weekend's, so this issue can't say how much of the gain came from added screens. The critics' numbers measure critics, not audiences, so they make word of mouth plausible without showing it.

Outside North America, the dates matter more than the totals. The film is scheduled for Australia and New Zealand on Nov. 12 and the U.K. and Ireland on Nov. 20.

Ella Langley's "Choosin' Texas" returned to No. 1 on the Billboard Hot 100 dated Oct. 31, displacing Taylor Swift's "Patient Zero," which had led the three previous charts. With 25 non-consecutive weeks at the top, it is now the longest-reigning No. 1 in the chart's history, according to Wikipedia's list of 2026 number ones, which cites Billboard's Oct. 26 report.

Ahead of the documentary on the Oct. 23-25 weekend was Clayface, the third film in the DC Universe: a body-horror story directed by James Watkins from a screenplay by Mike Flanagan and Hossein Amini, with Tom Rhys Harries in the title role. Warner Bros. opened it in U.S. theaters on Oct. 23, and it took about $24 million, per the box-office record. Its aggregates are more mixed: 77% on Rotten Tomatoes and 59 on Metacritic, according to its Wikipedia article.